Contradictions on the “Tell-Tale Heart’ by Edgar Allen Poe Essay

unitary contradiction that the perceptive endorser catches is the following. The fibber original tells us that he spies on the archaic art object at night. He eerily st bes at the darkened man while he sleeps It took me an hr to place my whole headland within the opening so farthermost that I could count him as he lay upon his bed (Poe 291). This understandably implies that the teller smoke appear his future victim I could see him as he lay upon his bed. But then the fibber tells us that although the victim awakes startled, the narrator simply stood his ground in the doorway since His populate was as black as pitch with the thick darknessand so I knew that he could not see the opening of the door (Poe 292). This implies that the agency and hallway are pitch black, which means that neither the victim nor the piranha can see anything without light. So the narrator can both see and not see his victim. This carefully concealed contradiction shows that the narration itse lf is unstable, simply as the narrators mind is.Another contradiction can be found in the second paragraph of the story. The narrator says, It is impossible to say how first the idea entered my judgement (Poe 290). This suggests that the narrator was clueless as to how he thought up of the idea of killing the antiquated man. It is byword that it was not his decision, and implying that he was never thinking about it. Later in the paragraph though, he says by degreesvery graduallyhe do up his mind to take the life of the old man (Poe 290). This contradicts the previous quote. First, he says that it was not his decision, but in the latter quote, the narrator tells the audience that he made up his mind to take the life of the old man. Surely, so far the narrator himself was confused.The narrator says that when he was spying on the old man, he button in his head (Poe 291). By definition, thrust means to push or drive quickly and forcibly. The reader gets an image of the narrator passing through and through the threshold abruptly. For cunningly he thrust it in (Poe 291). The next line contradicts this pedagogy for he says he moved it slowlyvery, very slowly, so that he capacity not disturb the old mans sleep (Poe 291). Now, the reader sees an image of the narrator peeking through gradually and quietly, so that the waking of the old man could be avoided. In fact, he didit so slowly that it took him an minute of arc to place his whole head within the opening (Poe 291). Taking an instant to put a head through a doorway truly is a long time, indicating that he could not aim thrust his head through the doorway. Thrusting his head in to spy on the old man and doing it very, very slowly very much contradicts each other.The narrator describes what the old man is feeling and thinking of when he was startled at the eighth night. His fears had been ever since growing upon him (Poe 292). One can picture the old man very afraid, not knowing what to do. Contrasting ly, the narrator says that the old man had been face to himselfIt is nothing but the wind in the chimneyit is provided a mouse crossing the floorit is merely a play which has made a single chirp (Poe 292). It seems as if the old man is saying this with confidence, and without fear. This implies that the old man is not scared at all. He does not even worry for he believes that it is nothing but merely a noise created by nature. Additionally, the narrator says that the old man had been trying to entertain himself with these suppositions (Poe 292). Now, the narrator goes back in saying that the old man is in fact scared, for he is trying to find comfort. The narrator basically say that the old man is scared, then not scared, and finally, scared over again.The narrator speaks of the center of attention of the old man that bothered him. He describes it as a modify blue, with a horrific veil over it (Poe 293). He describes it as if it is something weak, without strength, for it c annot even tell when a beam of light is on it, as the narrator did every night, for eight consecutive nights. Near the end of the story, the narrator says that it is something else, again a contradiction. No human eyenot even hiscould have detected any thing wrong (Poe 294). This indicated that there is a originator that the eye possesses. If a normal human eye, already with great bureau, could not detect anything wrong, surely a dull eye with a hideous veil over it cannot do any better. The narrator though gives power to the eye because he puts the old mans eye in a higher position than that of a normal human eye. heretofore the emphasis on the word his through the means of italics says that the narrator is saying that the eye holds power.Irrational human drives such as obsession, paranoia, the desire to repose and other mental psychoses such as these cannot be rationally explained. It is so hotshotr complicated and even an in abstruseness analysis of these themes is close to impossible. One cannot really explain some is obsession, simply because no one knows what is actually going on in the obsess mind, other than the obsessed himself. It is unlikely that I would be able to explain the very brain activity of the obsessed. Even if I ask questions or experiment on him, I would not be able to comprehend it all. Similarly, attempts of discovering the foundation of paranoia are difficult. Perhaps it is the many factors that contribute to this.In the end, it all leads to in depth analysis that would only uncover irrational and illogical reasons as to how one became paranoid, as it also is with how one became obsessed. The narrator of the story attempts to redeem himself by saying that he is not a madman. In explaining everything, he believes that he is in fact rational. The story, though, full of contradictions, proves that the narrator is unstable, and all the explanations in the ground could not unravel the mysteries of obsession and paranoia.