Blade Runner as a Classic Film Noir and a Science Fiction Film Essay

weathervane Runner as a Classic strike Noir and a accomplishment Fiction take on Blade Runner, a well known 80s science-fiction film, begins in 2019, set in the industrial city of L.A., the face lit only by the many neon lights and molten guisers. We shed in from a panoramic long shot to Deckard, ex-cop, ex-killer, ex-blade-runner, who is at the rawness of this film. Blade Runner is, definitively, a science fiction film, but the traits of Film Noir are the bread and butter, bringing it the dark, desperate atmosphere that is the very watcher of the film. Ridley Scott plants shrapnels of Film Noir throughout, from the subtle (cigars), to the downright blatant (the washed-up cop of main man). The genre itself developed in the post-war era, thriving upon the depression that had settled upon the world, and the new technology. The latter(prenominal) meant that scenes could be filmed outside of a studio, and new effects could be created with lighting. Ho wever, though the new technology was there, the subsequently-math of the war meant that this equipment was often quite rare, star to the lower bud deposit films opting for stark, shadowy sets rather than miss out on the technology. But this type of setting fitted entirely into the style of Film Noir anyway, as the feeling of the genre was reflecting the current mood, which was far from happy. The war had left whatever blind, and everyone else with brand new eyes, people could no longer see everything at face value, or to put it bluntly, the value of face had slumped. The world after war was no place for the frilly and meaningless, and Hollywood, as the capital of frill, had to make sense up with something new, and refreshingly... ...th Deckard why am I called back? Why am I doing this? and the replicants can ask, why am I a replicant, why am I like this? The answer of course, the bitter sentiment of Film Noir, for no reason at all. The viewer wa tches Blade Runners characters like fish in a tank, with pity because they are trapped, and with resignation, because theyll never, really, get out. The fusion of Sci-Fi and Film Noir works perfectly in Blade Runner, employ the past to paint a (dismal) picture of the future. The combination was one of the offshoot of its kind, pulling two genres together to work in perfect unison. And this combination of Sci-Fi and Film Noir will continue to work because the future is unseen, and consequently to us, quite scary, and, as in typical Film Noir fashion, theres always something BAD out there